jazz passion

Thursday, April 2, 2015

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Benjamin David "Benny" Goodman[1] (May 30, 1909 – June 13, 1986) was an American jazz and swing musician, clarinetist and bandleader, known as the "King of Swing". In the mid-1930s, Benny Goodman led one of the most popular musical groups in America. His January 16, 1938 concert at Carnegie Hall in New York City is described by critic Bruce Eder as "the single most important jazz or popular music concert in history: jazz's 'coming out' party to the world of 'respectable' music."[2] Goodman's bands launched the careers of many major names in jazz. During an era of segregation he also led one of the first well-known integrated jazz groups. Goodman continued to perform to nearly the end of his life, while exploring an interest in classical music.
Christopher Stephen "Chris" Botti (/ˈboʊti/ boh-tee; born October 12, 1962), is an Italian-American trumpeter and composer.[1] In 2013, Botti won the Grammy Award in the Best Pop Instrumental Album category.[2] He was also nominated in 2008 for his album Italia,[3] and received three nominations in 2010 for the live album Chris Botti In Boston. Four of his albums have reached the No. 1 position on the Billboard jazz albums chart. Coming to prominence with the 2001 recording of his Night Sessions CD, Botti established a reputation as a versatile musician in both jazz and pop music for his ability to fuse both styles together. smoooth jazz heart emoticon
Oscar Emmanuel Peterson, CC, CQ, OOnt (August 15, 1925 – December 23, 2007) was a Canadian jazz pianist and composer. He was called the "Maharaja of the keyboard" by Duke Ellington, but simply "O.P." by his friends.[1][2] He released over 200 recordings, won eight Grammy Awards, and received numerous other awards and honours. He is considered to have been one of the greatest jazz pianists,[3] and played thousands of concerts worldwide in a career lasting more than 60 years.
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American composer, pianist, and leader of a jazz orchestra, which he led from 1923 until his death over a career spanning more than six decades.[1] Born in Washington, D.C., Ellington was based in New York City from the mid-1920s onward and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. In the 1930s, his orchestra toured in Europe. Although widely considered a pivotal figure in the history of jazz, Ellington embraced the phrase "beyond category" as a liberating principle and referred to his music as part of the more general category of American Music.[2] Some of the jazz musicians who were members of Ellington's orchestra, such as saxophonist Johnny Hodges, are considered among the best players in the idiom. Ellington melded them into the best-known orchestral unit in the history of jazz. Some members stayed with the orchestra for several decades. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, for example Juan Tizol's "Caravan", and "Perdido", which brought a Spanish tinge to big band jazz. In the early 1940s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion.[3] With Strayhorn, he composed many extended compositions, or suites, as well as additional short pieces. Following an appearance at the Newport Jazz Festival in July 1956, Ellington and his orchestra enjoyed a major revival and embarked on world tours. Ellington recorded for most American record companies of his era, performed in and scored several films, and composed a handful of stage musicals.
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